Reburbia

So there was a competition called Reburbia, put on by inhabitat and dwell. Very cool concept, how would you re-envision suburbia. We (the gang) had discussions, and brainstorms about the subject and ultimately couldn’t come up with anything cohesive. This is a really hard prompt. The problem started with how pragmatic should the solution be, and the question of what is suburbia. When a somewhat pragmatic approach is viewed, lets say we want mixed use within suburbia, commercial, community space, etc. And lets say we would like to add some other integrated community green space, bike lanes everywhere, integrated public transportation, and all those nice things. Well you’ve just turned suburbia into a city. And that’s where thing started to get annoying, because we realized that suburbia is and has always been about living with a “country or rural” type of life with proximity to the city. Now I don’t mean farming animals or whatever, but having a nice quiet place, without the noise and bustle of the city, but close enough to the city to work or be entertained or whatever. Most ideas about turning the suburban into the urban then seemed really silly, because a lot of people don’t like city life, a lot of people like driving cars, and a lot of people like privacy, a lot of people like having much more space for their dollar, and don’t really know or hang out with their neighbors. Which is why a lot of people live in suburbia, among other reasons. We conjured up visions of deconstructing houses to make passageways to other buildings, sinking buildings, matta-clarking buildings, using demographics as program for suburia, etc. None of which really grabbed us. Eventually I think we were burnt out on the thing, because we couldn’t decide on an answer/other obligations/timeline. (The timeline was really short, considering that it only allowed for 5 images my guess is they wanted a ton of really quick ideas on the subject, suburban wind farm, and McMansion zoo, etc.) I saw the problem with suburbia not so much with the actual cookie cutter designs, excessive and reckless use of land/space, and general blah of existence. The big problem was that people want these cookie cutter neighborhoods, excessive and reckless use of land/space, and general blah. A 5 bedroom, 5 bathroom, 3 car garage, complete with pool and manicured lawn and built in a spanish style stucco whatever is awesome to most people! People love it! Attacking or undoing the image of this suburban ideal seemed to be more useful than proposing bike lanes or windmills for the already wide ass streets. Because it seems the general populous’ suburban preference is the largest design hurdle to overcome.

As a side note, I want to eventually produce a collaborative work called Delirious Sacramento, sort of an homage to Koolhaas’ Delirious New York/funny assessment of a fairly average city in comparison. I’ve grown up in the suburbs, all my friends generally have as well, and now there is a large group of us living in the city. We all have mixed feeling about the city in general, as there are merits to both. I do think it’ll be a worthwhile long term project and working on this submission and thinking about suburbia in general was a great kick start to Delirious Sacramento.

Back to the competition: At a certain point I was like fuck it, I’ll just make something fun, stemming from the idea that the suburban ideal must be subverted. This is what resulted. (BEHIND THE CUT)

I do think I will be the only person proposing in this format. In reading BLDGBLOG BOOK, and seeing Geoff Manaugh’s attempts at architecture comics I thought I’d try my own, since I used to draw comics a lot. It’s a fun format, and I really wish I tried to do this earlier (both in general and for this competition (I know my thesis would have been a lot cooler with some little vignettes like this)). I don’t know if you can tell but the first two pages are a lot better than the last two, which were pretty rushed. But not bad considering I haven’t drawn a comic since that internet one. I sort of did the Lebbeus Woods thing where all the text is at the beginning and only images follow, with the conversations not actually using text. I think a sort of low art version of Lebbeus Woods would be a cool concept to persue. In making the entry I was also reminded how much I miss making comics, and I really should make them more often for the heck of it.

I know if I’m releasing these images before they actually pick a winner, but I doubt I’ll win anything and will gladly temporarily take these down if it’s in some kind of violation of rules (which I don’t think it is)

1 Comment

  1. Andrew says:

    I want to talk about your post a little more later, but have you seen any other “architecture comics”. I tended to an exhibition at the LA Forum of Wes Jones’ Meet the Nelsons, a rather high brow comic of architecture in the early nineties, referencing derrida et al. in a setting of surreal slice of life suburbia. there’s also some pretty great architecture comic work on archinect but I couldn’t find it again, and some super random ones here http://www.bigheadpress.com/thearchitect and here http://minisuck.comicgenesis.com/d/20060517.html

TrackBack URI

Sorry, the comment form is closed at this time.

PHONE SEX

 

Drawn on a small pad really fast.  Inked faster.

BEST COMICS OF 2011 LIST

These are the best comics I read on from last year.  Unlike music, I actually feel somewhat knowledgeable of what comics are new and cool (I read a lot of them).  These ranged from epic sized graphic novels to minicomis, to stories in anthologies, none of this is superhero related, oddly enough no manga.  So here is my list:

2011 BEST COMICS IN NO PARTICULAR ORDER:

Pope Hats # 2 by Ethan Rilly (issue 1 is good, number 2 is amazing)
Forming vol 1 by Jesse Moynihan (this is the best webcomic on the internet, the print version is gorgeous)
Thickness # 2 anthology (both DeForge and Brandon Graham have great stories, excellent anthology)
Wolves by Becky Cloonan (best mini maybe of all time, unsurprisingly from Becky)
Orc Stain # 6 by James Stokoe (I love orc stain)
Big Questions collection by Anders Nilson (epic)
Habibi by Craig Thompson (Craig Thompson’s follow up to Blankets)
Optic Nerve # 12 by Adrian Tomine (I’m glad Optic Nerve is back, this one’s full color with two stories, and the letters, oh man I miss reading the letters, also picked up a Tomine print)
Hark A Vagrant collection by Kate Beaton (everyone should read these)
Lose # 3 by Michael DeForge (Probably my favorite creator I discovered this year, I bought all available books of his at the Brooklyn Comics and Graphics Fest – all his comics are amazing.)
Love And Rockets new stories vol. 4 by Jamie and Gilbert Hernandez (I love love and rockets)
The Speaker by Brandon Graham in DHP #7 (Brandon Graham’s story is enough to put it on my favorites list, didn’t care for much of the rest of the issue)
Any Empire by Nate Powell (Nate Powell’s follow up to Swallow Me Whole)
Hair Shirt by Patrick McEwon (I just picked this one up, really malancholy and beautiful)

 

P.S. – Favorite albums of last year: Wye Oak – Civillian; Fucked Up – David Comes To Life

FICTION – NEW YEARS

Happy New Years everyone.

This last year has been the most interesting one I can remember.  It started with the worst day of my life, and proceeded to be weirdly anguish filled and excitedly different at the same time.

Overall I’m very glad it’s over, and look forward to 2012.

I hope to make more comics (Paul and I are beginning work on an ongoing webcomic thing) and continue to focus on the architecture career, which is easily the most productive part of my life right now.

2011, good riddance and go fuck yourself.

Everyone stay safe.

I’m off to go drinking.

BAYHEM

BAYHEM! HAHA!

via boingboing

TEETH

Here’s an additional 1 page comic that was made for the print version of Summer Oddity.  Available now at better comic stores in NYC, and Baby Grand.

Apologies to Paul Pope for the title text.

SUMMER ODDITY

Summer Oddity, a new comic for the baby grand art show, and summer in general.

It’s presented in its complete horizontal format, as it’s presented in the show.

Full comic behind the cut.

Details »